IMAGE

Tsum-Tsum T-shirt, by Disney
WALLPAPER

Untitled
by Grant Gould (for StarWars.com)

FAN ART
by master--burglar
by master--burglar
FAN FICTION
Rush
by Love and Rock Music. (TCW) The first half of "Destroy Malevolence," as Anakin and Padmé make their way towards each other.

P/A SITE
The Anakin and Padmé Gallery

CALENDAR
Desktop Calendar // March/April 2015

 


MISCELLANEOUS : PARALLEL COUPLES

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Couple: Rose DeWitt-Bukater and Jack Dawson
From: Titanic
Site: N/A

Sue me - I like this movie! :)

This pair's presence here is - partly - George and Hayden's doing. George for describing Revenge of the Sith as "Titanic in space"; Hayden for comparing Anakin's fall to the Titanic's sinking. (And, of course, who was in fandom in 2000-2001 that can forget the wild rumors of Leo being cast as adult Anakin?) Glibness aside, the comparisons aren't far off: both Anakin's fall and the story of Titanic involve epic tragedy brought about by human failings, tragedy made all the more intense for how simply it could have been avoided. Both stories have the makings of a modern myth, a cautionary tale of what happens to those who believe themselves invincible and try to challenge the set order of the universe.


Like A/P, Jack/Rose was a stylized courtly romance at the heart of a modern blockbuster epic. Both pairs, due to advance knowledge of the surrounding tale, the audience knows are doomed from the outset. Both involve a young man and woman of different social standings, a high-society woman (with a fabulous extensive wardrobe) who learns to cast off the chains of her restrictive life through the love of a passionate, idealistic man. Both are forbidden lovers who fall in love deeply and quickly, stealing only brief happiness before tragedy drives them apart.

Their story is told in flashback by an elderly Rose, recounting her experience on the Titanic.  She was a young woman trapped in an engagement to a wealthy but possessive man, Cal, to ensure the financial security of her family.  Jack was an orphan drifter who made his way around the world in search of new inspirations for his passion, drawing.  She's a first class passenger, he's steerage - star-crossed from the beginning.  He first spots her as she looks out at the ocean from her own deck, and it's clearly love at first sight for him.  They don't meet until that evening, when a desperate Rose is about to escape her stifling life by throwing herself off the back of the ship.  Jack talks her out of it, but as he helps her back over the rail she catches her foot on it and slips.  He pulls her up and saves her from falling in.  As reward she convinces Cal to invite Jack to dinner in first class the following night to share the heroic tale of how he rescued her.

Rose bonds with him quickly, his company a refuge from the pretentions of her first-class peers.  They spend the better part of a day walking around the ship as she listens to his life story.  She confides how trapped she feels in her life, and is thrown for a loop when Jack asks her if she loves Cal. They fantasize about the fun things Jack would teach her if she weren't engaged.

With the help of a sympathetic Molly Brown, Jack is dressed first-class for dinner with Rose's people.  He plays the gentleman almost perfectly, impressing Rose.  At the end of dinner, Jack slips her a note asking her to meet him on the Grand Staircase.  Jack takes her to a "real" party down in steerage.  When Jack asks her to dance, she resists briefly as he pulls her close, knowing they're treading on dangerous territory - but she soon lets herself go, and the two spend the evening giddily drinking, laughing, and dancing together.  This does not go unnoticed by her fiancé's spying manservant; Cal and her mother forbid her from seeing Jack again, reminding her of her obligations.

The next day Jack tries to see her but is thwarted; he finally confronts Rose herself in this movie's equivalent of the fireplace scene.  He bares the depth of his feelings for her and pleads her to leave Cal, fearing her strong spirit will be broken if she doesn't.  Though Rose doesn't want to, she pushes Jack away - perhaps partly out of feeling obligated to her society life, perhaps partly out of the intensity of her feelings.  At tea with her mother, listening to the ladies' prattle and watching a young girl being coached in proper etiquette by her mother, Rose realizes she cannot face a future in that life.

She seeks out Jack on the bow of the ship, where they share a passionate kiss.  At this point, Rose is uninhibited, completely and happily throwing herself into her feelings.  She has Jack draw her nude, wearing only the massive diamond necklace Cal gave as an engagement gift.  Together they gigglingly flee as Cal's manservant chases them through the ship until they end up in a cargo hold.  There Rose pulls Jack into a car, where they make love. The two happily continue their run from Cal's spies.  Rose tells Jack that - though she knows it's crazy - when the ship docks, she's getting off with him.  It's of course at this hopeful point that doom rears its head; moments later Titanic hits the iceberg and begins to sink.

Jealous over the affair, Cal frames Jack for stealing the diamond; the arrested Jack is locked in the bowels of the ship, trapped as the water rises.  Like Padmé, Rose chooses to leave assured safety - a lifeboat - to venture into a dangerous underworld, this one of icy water instead of fire, to rescue her lover.  Once he's recovered Rose again has the chance to get on a lifeboat, but she jumps out and back onto the ship, unwilling to leave Jack.  The two are chased back into the depths of the ship by a murderous Cal.  They barely survive the sinking, ending up in the freezing ocean with 1500 other people.  They find a piece of floating debris, but it's only big enough to hold one, so Jack lets Rose get on top of it, himself staying in the icy water.  As they wait for a lifeboat, Rose tells Jack she loves him, and Jack makes Rose promise she'll survive and live a full life.  Eventually a lifeboat comes - but Jack has already frozen to death.  A heartbroken Rose has to leave him behind to make it to the lifeboat.  As she watches his body sink into the water, she vows to keep her promise.  When she reaches New York, she starts a new life with his name - Rose Dawson.

In present day, Rose concludes her tale by saying that though there's no record of him, Jack did exist, and he saved her in every way possible.  That night, Rose sleeps next to the pictures of her life, which show her having done all the things she dreamed of doing with Jack, all the things he predicted she'd live to do.  In her sleep she finds herself back on Titanic, a young woman again - and Jack, also young, waiting for her on the Grand Staircase.

External tragedy ultimately tore Jack and Rose apart, but their own human failings may have contributed to it. There's no guarantee Jack would have made it off Titanic even in 'ideal' circumstances - as both a man and a member of third-class, demographics that saw the highest mortality rates in the sinking, the odds were already stacked against him. But his chances certainly were not helped by Rose's impetuous eagerness - and his own willingness - to provoke her fiancé's dangerous anger, or her blind desperation to not be parted from Jack for even a moment. The repercussions of these events - Jack's arrest, getting chased back into the ship - cost much valuable time that might have increased his chances of getting to a lifeboat. And Rose, who as a first-class woman had every opportunity to get into a lifeboat, still ended up nearly perishing.

Like SW, though, Titanic also ends up being a tale of redemption. Rose does nearly choose to die along with her lover, but ultimately is able to let go of him (though not her promise to him). She also chooses to cast off the chains of her old imprisoning life and take her chances at starting over anew. And at the end of that life, she is rewarded by being reunited with the love taken from her.

 
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